![]() This thesis provides a broad scholarly platform for CCS a framework for their creation, analysis, and evaluation upon which future scholarship can build. Finally, lacking from the contemporary congregational song (CCS) discourse is a research method and meta-language to facilitate a generic understanding of the genre its texts, producers, and consumers. Moreover, the music of the genre is under-represented in analyses because researchers have preferred sociological, historical, or theological methodologies. Where it is available, it is most often the examination of a specific contextualisation of the genre. ![]() While professional and popular discourses relating to this genre are widespread, scholarly engagement is still nascent. ![]() Contemporary congregational songs (elsewhere referred to as ‘praise and worship’ music, or contemporary worship music) began some forty years ago in Western Pentecostal/Charismatic contexts, but their influence is now worldwide and pan-denominational. ![]()
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